Every painting starts with a grid. The vertical and horizontal lines calm my active brain and provide a structure on which to work.
I often paint within the cells of the grid before tying everything together. Because I use encaustic, I work slowly and deliberately. Building up sticky, fragrant layers of wax forces me to be present. This meditative process is as important as the end result.
Autobiographical stories on paper are encased inside the waxy pigment. The layers of narrative and paint parallel the layers of energy from daily life. Abstract shapes, patterns, and vivid color recall cherished memories of my native Argentina.