Thank You

Thank you to all who stopped by my studio for Philadelphia Open Studio Tours last Sunday.

I love inviting people in to see my creative space and showing them my art. This piece, “Still More Poppies” even found its new home! Thank you for supporting my art Sue.

 

This weekend I am packing up some of my newest work to hang in the Academy House Entrance Gallery – 1420 Locust St, Philadelphia, PA. 

I am so excited to bring my work home – Heidi and I live at Academy House! In the coming weeks, I also plan to add a selection of 6″ x 6″ pieces – so more to come.

And, after Thanksgiving, I will be hanging my work at my “second home,” the Trolley Car Cafe -3269 S Ferry Rd, Philadelphia, PA 19129. Watch this space for details.

Remember my 2019 Wall Calendar is currently on SALE for $15 plus FREE shipping until Thanksgiving. It makes a perfect holiday gift. Order yours here!

2019 Wall Calendar Images

I hope you enjoy this crisp, fall weekend.

Warmly,

Dora

2019 Calendar PreSale

My 2019 Wall Calendar is off to the printer and ready for pre-sale! It features some of my favorite digital collages from my 2018 music collection. Every page of my calendar is a quality print of each of my digital collages – frame and hang them after the year is over!

They make a GREAT gift – perfect for the winter holidays! They are square format and measure 8″ x 8″

The calendar will be AVAILABLE for sale during POST on October 7th in my studio .

Order before Thanksgiving for a special price of $15.

Regularly priced at $20.

BUY YOURS

Philadelphia Open Studio Tours – October 7th

I am thrilled to be opening my studio up to the public again for this year’s Philadelphia Open Studio Tours (POST). Curious about what the inside of an artist’s studio looks like? Want to see my newest work in person? Come visit me in my studio and take a look around on Sunday, October 7th.

  • Sunday, October 7th
  • 12 Noon – 6 pm
  • Scotts Mills: 3510 Scotts Lane, Building 32, Studio #118, Philadelphia, PA

My studio at Scotts Mills is also home to a number of diverse artists, many of whom will be participating in POST this year! There are two floors of studios for you to explore, come spend the afternoon with us. 

**On-street parking is limited and there is free parking in the large lot in the back of the Scotts Mills campus – enter via the driveway, just past Building 32.  

What’s Next?

I am excited to announce that, after 28 years of having so much Fun in the Sun with so many fabulous children, I have retired from my summer camp. I will now be a full time Artist, a life long goal, for the first time. I am so very excited and can’t wait to see what I can do in the studio with all of the extra time. As you probably know, I have been an artist my whole life. During the past 6-7 years I have found a passion for working with encaustic, an ancient art form that allows me to paint with molten wax. Though I will continue to create art using a diverse set of mediums, techniques, and tools, like collage, oil sticks, oil paints, pen and inks, and acrylics, I am excited for the extra time to really dive back into my encaustic paintings and encaustic monotypes.

I want to thank my business partner, Bonnie Templin, for 28 wonderful years watching hundreds of children grow up, year after year, during the summers at Fun in the Sun Camp – and, that includes our own children! At the conclusion of summer, we turned the camp over to Bonnie’s son, Rob Carter. Rob grew up at Fun in the Sun, first as a camper, then as a counselor, and for the past two years, as the camp’s director. He brings in-depth experience and limitless patience for children and their needs. He is an innovator always seeking more ways to create a fulfilling camp experience for all campers.

I will truly miss the campers, their families, and the staff, but I promise to visit.

As I shift gears and head into my studio full-time, I look forward to progressing a few unfinished pieces, experimenting with new techniques and mediums, and taking advantage of the extra time to lead workshops! In fact, I already have one planned for April 5-7 2019! I will be co-leading a workshop in my studio with my good friend and peer, Lorraine Glessner. I am also looking forward to opening my studio up to visitors again this year for Philadelphia Open Studio Tours (POST) on October 7th. POST is a program of The Center for Emerging Visual Artists that gives tour goers the opportunity to visit studio spaces, experience artist demos, and talk face-to-face with artists from more than twenty Philadelphia neighborhoods. To learn more about this fabulous self-guided tour, visit POST.

More from me about what is next soon. I anticipate having lots of art news to share with you in the coming months, including my annual calendar sale announcement and details of upcoming art focused trips. In the meantime, drop me a note and let me know what you’d like to see coming out of my studio in the next year. I am eager to hear your thoughts!

How Do You Title Your Work?

Like many artists, naming my artwork can sometimes feel like a daunting task. There is so much to consider. Names should illuminate a defining element of the piece while also being original. They should assist the viewer to make a connection, but also embrace diverse interpretations. A title could mean the difference between a buyer connecting with the work or being turned off by it. No wonder the task feels like one of the hardest things to do as an artist!

Keys Keep Dancing

Over the years I have approached naming in a variety of ways. Often, and especially with my musical body of work, I relate my titles back to my life with my father. During my childhood we often would lay on the rug together and listened to music. Words from those days come to my mind as I view my work. For example, my most recent encaustic piece, “Allegro” was named in this manner. “Allegro” is a lively, cheerful musical tempo and an element I see in this piece.

Allegro

Another recent piece I named using this convention is called, “Overture.” Like an orchestral overture, for me, the motion in this encaustic painting evokes the feeling of something about to begin.

Overture

I use other approaches to naming too. Sometimes an element jumps out at me like in my encaustic monotype titled “Silverlining.”

Silverlining

Other times I may use bits and pieces from songs or phrases to title my work like in this piece, “Into the Woods.”

Into the Woods

My varied naming techniques ultimately assist me, yet I find myself wanting to find an easier approach to coming up with good titles. What is your approach? How is it working for you?

Montgomery County Studio Tour – Sneak Peak

Enjoy this sneak peak of just a few of my encaustic monotypes planned for the Montgomery County Studio Tour this weekend.

 

Event Details:

MONTGOMERY COUNTY STUDIO TOURS
Saturday, June 10, 2018
10 a.m. to 6 p.m.
Sunday, June 11, 2018
11 a.m. to 5 p.m.

I am excited to be among a group of artists selected to showcase my work at this year’s Montgomery County Studio Tour! The tour features 52 artists and 21 studios. For more details, click here

My work will be exhibited at the Glessner Studio – 24 Robbins Avenue, Rockledge, PA 19046. 

And, to learn about the other wonderful artists I am exhibiting with at Lorraine Glessner’s Studio, use the links below!

Lorraine Glessner: https://www.montgomerycountystudiotour.com/glessner

Karen Freedman: https://www.montgomerycountystudiotour.com/freedman

Julie Miller: https://www.montgomerycountystudiotour.com/miller

Exhibition Preparations Underway!

This artist’s life isn’t always about wax, hot boxes, and bold colors!! Many days in the studio are, but the days and weeks leading up to exhibitions are about getting all of those art works ready to be seen and sold.

As you know, the Montgomery County Studio Tour is coming up on June 9th and 10th and, so, Heidi and I have been busily mounting, framing, naming, and labeling my body of encaustic monotypes for the exhibition. 

The adhesive mediums and blow torches are in overdrive!

While it is certainly a change of pace in the studio, it feels great to see everything come together. It is positively thrilling to experience the impact mounting, for example, has on my monotypes!

The Montgomery County Studio Tour features 52 artists and 21 studios. I will be exhibiting at Lorraine Glessner’s Studio with Lorraine and two other wonderful artists. To learn more about us, click on our names: Dora Ficher
Lorraine GlessnerKaren Freedman, and Julie Miller.

I have so much new art to share with you. Everything from monotypes raging in size from 24″ x 36″ to 5″ x 5″ to a selection of my original “doodles.” I hope you will stop by and/or plan to take the entire tour! 

Warmly,
Dora

Save the Date!

MONTGOMERY COUNTY STUDIO TOURS
Saturday, June 10, 2018
10 a.m. to 6 p.m.
Sunday, June 11, 2018
11 a.m. to 5 p.m.

I am excited to be among a group of artists selected to showcase my work at this year’s Montgomery County Studio Tour! The tour features 51 artists and 20 studios. For more details, click here

For information about the Glessner Studio, where my work will be exhibited, click here.

And, to learn about the other wonderful artists I am exhibiting with at the Glessner Studio, use the links below!

Lorraine Glessner: https://www.montgomerycountystudiotour.com/glessner

Karen Freedman: https://www.montgomerycountystudiotour.com/freedman

Julie Miller: https://www.montgomerycountystudiotour.com/miller

The Making of My Digital Collages

Recently, a few of my followers have asked me, “What is a digital collage?” In today’s blog post, I am going to show you how I create digital collages by walking you through a step-by-step making of two of my most recent pieces, “The Sounds of the Trumpet” and “I Hear a Drum”.

As you may know, on the first of the year, I re-committed to creating art each and every day. I love working in my studio best, but sometimes life (and weather!) get in the way and I need alternatives. A robust collection of painting supplies keep me painting and exploring my mediums and style in my home. However, at the beginning of the year I decided to add a new medium to my repertoire and made the decision to learn a digital program for artists called, Procreate.

Procreate is an iPad app made for professional creatives for sketching, drawing, and painting. It utilizes the Apple Pencil for detailed work and to use with its impressive brush library of more than 130 brushes! Procreate allows me to mix and match brushes, manipulate and layer my illustrations, and add unlimited background, texture and detail layers. The layering system gives me complete control over each and every element of my digital collages as you can see in this selection of layers from the piece, “The Sounds of the Trumpet”.

Procreate also allows me to create very large, high-resolution collages. This means that any print or product reproductions I offer enjoy the same vibrant and crisp qualities as my original collage.

It took me a few weeks and lots of trial and error to begin developing my style and palette within the app and I am so glad I persevered! I love how my musical series is developing through this new medium and I have enjoyed stretching myself as an artist too. Adding Procreate to my artist toolbox has also given me the opportunity to bring my art on the go with me when I can’t be in the studio or at home. With a new grandbaby in New York, I know this tool will serve me well!!

Check out this cool time-lapse video of my piece, “I Hear a Drum” and enjoy!

Watch this space for my next blog post. I plan to get more in depth to show how brushes are used and how you can create your own digital collages!

Why Do I Use Bright Colors?

Hi everybody,

Happy Friday! A wet one here in Philly.

Have you ever wondered why I choose the colors I do? 

I love bright and vivid colors! I get energized by my favorite colors… turquoise, oranges, reds. The color of the ocean when I travel, that transparent deep bluish green. The colors of the doors and windowsills in Santa Fe. The colors of Puerto Vallarta, Mexico, a place where I have been going to for the last 20 years.

I have tried many times to paint with a different color palette but I always end up returning to my usual colors.

I even created an entire series in black and white but had to add a little bit of “my colors” to each painting.

Which had me reflecting a lot about my choice of a bright, bold, vivid palette when I paint… I believe that it has a lot to do with my upbringing and where I come from. As I have mentioned in past posts and in my bio, I was born in Buenos Aires, Argentina, a very colorful city in every aspect. I also come from a very vibrant, energetic family just as colorful as my hometown.

I have so many colorful feelings about my childhood memories in Buenos Aires. One example is the color of the sky. It is deep blue. I remember clear blue days with not a cloud in the sky. It’s a different kind of blue than the sky here in Philly.  I’m not sure why, but I still see it every time I go for a visit. You can also see every color possible when you go to their markets. Everything is fresh, never frozen and it comes through in their colors.

I think you can see what I mean by looking at my most recent encaustic monotypes, Poppy Field and Poppy Garden.

Poppy Field – Encaustic Monotype on paper, 24 x 36.
details of “Poppy Garden”

At some point I will have to challenge myself to paint a series in more subtle colors. Think I can do it? It will definitely take me out of my comfort zone.

What are your favorite colors? 

Have a great weekend!

love,

Dora

Dora Ficher Art
Sol Design Studios

 

 

 

 

 

 

 

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