Recently, a few of my followers have asked me, “What is a digital collage?” In today’s blog post, I am going to show you how I create digital collages by walking you through a step-by-step making of two of my most recent pieces, “The Sounds of the Trumpet” and “I Hear a Drum”.
As you may know, on the first of the year, I re-committed to creating art each and every day. I love working in my studio best, but sometimes life (and weather!) get in the way and I need alternatives. A robust collection of painting supplies keep me painting and exploring my mediums and style in my home. However, at the beginning of the year I decided to add a new medium to my repertoire and made the decision to learn a digital program for artists called, Procreate.
Procreate is an iPad app made for professional creatives for sketching, drawing, and painting. It utilizes the Apple Pencil for detailed work and to use with its impressive brush library of more than 130 brushes! Procreate allows me to mix and match brushes, manipulate and layer my illustrations, and add unlimited background, texture and detail layers. The layering system gives me complete control over each and every element of my digital collages as you can see in this selection of layers from the piece, “The Sounds of the Trumpet”.
Procreate also allows me to create very large, high-resolution collages. This means that any print or product reproductions I offer enjoy the same vibrant and crisp qualities as my original collage.
It took me a few weeks and lots of trial and error to begin developing my style and palette within the app and I am so glad I persevered! I love how my musical series is developing through this new medium and I have enjoyed stretching myself as an artist too. Adding Procreate to my artist toolbox has also given me the opportunity to bring my art on the go with me when I can’t be in the studio or at home. With a new grandbaby in New York, I know this tool will serve me well!!
Check out this cool time-lapse video of my piece, “I Hear a Drum” and enjoy!
Watch this space for my next blog post. I plan to get more in depth to show how brushes are used and how you can create your own digital collages!
I met Lorraine or Lori, as I call her, about 9 years ago when I became curious about and interested in learning more about encaustic painting. I was looking for an artist to teach me encaustic techniques and, after much searching, I found Lori. I took a private 2 day workshop with her back then; learned from her and fell in love with bees wax and everything related to encaustic painting! Since then, we have become very good friends and I have taken many more group classes with her throughout the years. She has taught me so much about painting with encaustic and I absolutely love her work! That is why I wanted to share it with you.
What I love about Lori’s paintings is well said by Art Historian, Andrea Kirsh, “Lorraine Glessner’s paintings are composed of multiple layers of images, the paintings resolving into subtly-flickering worlds of extremely seductive richness. Some of them resemble images seen through a microscope; others hint at the world seen from far above.”
I hope you have enjoyed this small taste of Lori’s work. I encourage you to visit her website to explore her and her art more fully, you won’t regret it! Check out her blog as well. I never miss her posts, they are always insightful and thought provoking. You can also read an older blog post of mine where I interview Lori.
I am also delighted to announce that I will be exhibiting my work along side Lori’s and 2 other artists at her studio for the Montgomery County Studio Tours on June 9th and 10th. “Montgomery County Studio Tour’s mission is to promote regional artists and contribute to the economic and cultural vitality of the area by presenting original artwork.”
Have you ever wondered why I choose the colors I do?
I love bright and vivid colors! I get energized by my favorite colors… turquoise, oranges, reds. The color of the ocean when I travel, that transparent deep bluish green. The colors of the doors and windowsills in Santa Fe. The colors of Puerto Vallarta, Mexico, a place where I have been going to for the last 20 years.
I have tried many times to paint with a different color palette but I always end up returning to my usual colors.
I even created an entire series in black and white but had to add a little bit of “my colors” to each painting.
Which had me reflecting a lot about my choice of a bright, bold, vivid palette when I paint… I believe that it has a lot to do with my upbringing and where I come from. As I have mentioned in past posts and in my bio, I was born in Buenos Aires, Argentina, a very colorful city in every aspect. I also come from a very vibrant, energetic family just as colorful as my hometown.
I have so many colorful feelings about my childhood memories in Buenos Aires. One example is the color of the sky. It is deep blue. I remember clear blue days with not a cloud in the sky. It’s a different kind of blue than the sky here in Philly. I’m not sure why, but I still see it every time I go for a visit. You can also see every color possible when you go to their markets. Everything is fresh, never frozen and it comes through in their colors.
I think you can see what I mean by looking at my most recent encaustic monotypes, Poppy Field and Poppy Garden.
At some point I will have to challenge myself to paint a series in more subtle colors. Think I can do it? It will definitely take me out of my comfort zone.
As an artist, I often find my inspiration from the intricate connections between colors and patterns. I notice these aspects in the world around me; in architecture, the variety within landscapes, and the tones and quality of light. Too, I see a little piece of my native Argentina in the elements of my work. When I reflect on my development as an artist, I can clearly see how others have also left an indelible mark on me and contributed to my evolution over time. Over the next few months, I plan to highlight other artists who have inspired me or helped mold me. I hope you will enjoy learning about these wonderful artists.
To start, I will begin with an artist who made an impression on me way back when I was in art school in Buenos Aires. Benito Quinquela Martín, “a man who is a synonym for the neighborhood of La Boca” is known for his colorful depictions of ports, ships, and port life in his beloved neighborhood.
Benito Quinquela Martín was so devoted to his neighborhood that, in the 30’s, he used the success he acquired there to begin giving back. In 1933, he donated land for a public school and later money to build a theatre – the Teatro de la Ribera – “a kindergarten and a breast milk center and, finally, a Pediatric Dentistry Hospital.” In the 50’s when La Boca began to decline, Martín infused his neighborhood with his artistic color and “created an outdoor art exhibition space devoted to artists and craftsmen. He recreated an old street filled with colorful conventillos on a stretch of a disused railway line. [T]his path was named Caminito after a popular tango written by Juan de Dios Filiberto.”
My friends and I used to go to La Boca and sit in the street or in a park to take it all in and paint. We were in awe of the color!
Benito Quinquela Martín’s presence is still visible throughout the neighborhood of La Boca today – a vibrant place full of energy, music and street performances. And Martín’s bold palette surely impacted me!
I was born in Buenos Aires, Argentina on September 14, 1951 in Sanatorio (medical center) Otamendi . At the time my parents lived on Inocensio Arias street in Castelar the west part of Buenos Aires.
My father had his laboratory there. He did blood tests and everything else a lab does.
I remember that we had a wooden 2-person swing in the backyard. I am amazed that I remember this since we moved out of this house when I was 3 years old.
I recall that my grandmother’s housekeeper, Paula, would come to pick me up, and take me on the train to my grandparents’ house. At that time, going to their house was the most wonderful thing in the world. They had a big house with a big glass and iron door. It was called a Petit hotel, I guess because it had many bedrooms, a big garden/patio and several rooms for the people who worked there (the cook and housekeepers).
When I visited my grandparents’ home, I slept in the room with my aunt, who was only 14 when I was born. I felt like a princess every time I was there.
My grandparents had a television set (I am talking about the 1950s). One of those big Zenith sets.
Whenever I was there I loved to have breakfast in the “comedor diario” – the casual dining room. I could watch the TV while eating. TV’s were something very new at that time. We didn’t have a TV in our house so this was a treat.
This work is part of my Hiraeth (meaning “homesickness”) series.
It’s almost Ho, Ho, Ho time. Only 11 more days until Christmas.
What are you doing for the holidays?
We have a full schedule. We will be spending Christmas eve with our little grandson and his parents at their house in Media, Pa. Only about 1/2 hour from center city Philly where I live.
Then on Christmas day we are hopping on a train and going to New York City to celebrate with my son, daughter-in-law and her family. We will then spend a few days in NYC with them.
It’s been a snowy week here in Philly. I think it snowed more this week than it did all of last winter. Here is a photo of how it looked last Tuesday. It was taken from my apartment window up on the 32nd floor.
I want to thank everyone who follows my website, and follows me on Twitter, Facebook, Pinterest and Instagram. You are totally awesome. I appreciate all of your comments and discussions. Thank you for hanging out with me and sharing my art with your friends.
To say Thank you, I am offering a big Holiday sale for any of my available paintings in my shop. I am giving you 20% off plus free shipping. If you find a painting that you would like to purchase, email me at: firstname.lastname@example.org and I will take the 20% off before you pay.
This sale extends to digital collages as well.
I will also offer 10% off any item on my brand new Sol Design website. Use coupon: holiday10%
With any purchase of my art, or which I am truly thankful and grateful, I am able to donate a portion to Unite for Her. Purchases include both my original art & my products. I explain more about this great Organization here.
When I’m in the studio I paint and listen to music or books. Lately I have been listening to music. I have different playlists which I make myself. This actual playlist I was listening while painting this piece has many of my favorite songs. Each piece I have been working on for the last few weeks represent one of the songs. This is one of my favorite Joni Mitchell songs.
Sixteen springs and sixteen summers gone now
Cartwheels turn to car wheels through the town
And they tell him, “Take your time. It won’t be long now.
‘Til your drag your feet to slow the circles down”
And the seasons they go ’round and ’round
And the painted ponies go up and down
We’re captive on the carousel of time
We can’t return we can only look behind
From where we came
And go round and round and round
In the circle game
So the years spin by and now the boy is twenty
Though his dreams have lost some grandeur coming true
There’ll be new dreams, maybe better dreams and plenty
Before the last revolving year is through.
“Piano Tune”, the basic scale is made up of 7 notes, which are the white keys on the piano.
My painting reflects the rhythm and movement of the music you can make with the piano keys.
“Piano Tune” was selected for a Juried Show title “Seven”. When I heard the title which was the theme for the exhibit I came up with many ideas. My first idea was to work on the seven sided shape called a heptagon. I did many drawings with my ideas but it just wasn’t happening.
Finally I went back to my music theme which has been in my mind for a while now and came up with the idea of the 7 notes in a traditional scale (Do, Re, Mi, Fa, So (or Sol), La, Ti (or Si)) or (C, D, E, F, G, A, B). That made me think of a piano which I had played for many years as a child. From there I started making the keys of the piano and collaging them into the painting. And that’s how Piano Tunes was born.
The exhibit will be held at:
Castle Hill Gallery,Truro
Opening: Thursday, May 30, 4:00–6:00 p.m.
Closing: Thursday, June 6, 4:00–6:00 p.m.
Hours and directions: www.castlehill.org